It's about that time again, and I figure the biggest change should be outlined immediately. I'm going to be leaving Instagram, and likely all Meta owned platforms really soon. Some may see boycotts as needless, but as someone who made a home on Bluesky versus seeing
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Updates about the podcast going forward.
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Thanks for checking this out! This is an old episode that only got a post now due to moving domains. Everything's still the same. Marissa was an amazing guest, make sure to keep an eye on their newer roles! As I write this, they've released a
2025
After a year, multiple revisions, and multiple collaborators this project is finally done. I know it might not seem like much, and a decent amount had to be left on the cutting room floor just for my sanity's sake, but I genuinely feel like there's a weight lifted off of my shoulders now that this i
2024
30 minute volume / shading study based on a real life photo. Originally from 2024, scanned 3/26/25.
2025
Starting to update my site by uploading more art to it, I've developed a new system to scan my digital pieces.
2025
https://creators.spotify.com/pod/show/kashcast/episodes/KashCash-25--Kiana-Mai-e2vgmb7 Hey again! To close out February, here’s an interview I had with Kiana Mai! A multifaceted artist and general creative, Kiana’s been known for many talents including but not limited to her Pokemon fanart, her work on Big City
Personal website for Adam Lauture, who writes, edits videos, and creates digital art.
I just get worried due to the fact that this exists as its own property, but the discussion continues to revolve around Bebop, and it'll affect how Lazarus is seen way more than its independent qualities.
New episode's finally got a post here! I was able to get three guests for the beginning of 2025, the first being Caelum Beckinsale. Caelum was a great guest, I've kept up with his video essays for years and I've appreciated his perspective on media and was really happy to get this out there.
New year, new update to the Animation Production Survival Guide, and updates to other projects. I'm working on stuff, honest.
I’ve been watching Toonami since I was a child, and in some form or another I’ve watched Toonami’s current [as] incarnation since I was in 8th grade. To say that I’m surprised about the current state regarding Toonami Rewind would honestly be a lie, and I’m not even talking about current affairs. Th
There’s a lot that’s been going on, and just having another update feels right. Sorry I haven’t had much time to write recreationally, though. Part 2 of the Dragon Ball video is done, script wise. I need to get a new headphone pair for my audio interface,
Some of you may be a bit confused about the status of the Dragon Ball Z Kai retrospective, and I'll take this time to explain. I admit I haven’t exactly been great at keeping things consistent. This is a project I’ve had in my head since
It’s a new month and the beginning of the rest of our lives, for better and for worse. Forgive me for not exactly being in a chipper mood. I’m going to cut to the chase and state what my plans are. Updating people about current and future projects and trying to redefine myself to support others goin
An old study I did trying to recreate one of Matthieu Cousin's works. The original: The watercolor looks a lot harsher in my version, I'm still not the best at it. Lines are a lot messier as well.
An older study I did of Felicia from Darkstalkers.
This is just a short post; I’m trying to work on getting select pieces of my backlog on my current pages, but I also want to protect my work against AI and art theft. This process sadly isn’t as automated as I’d like, but it is foolproof.
A short video editorial I made for a convention I was invited to, RWD Game - Retrogaming Talk on 4/21/23. I've always been passionate about Smash and I'm glad I was able to talk about it in some form. If you're still
My own gDoc about animation production concepts is now released! Read on to get access.